The expression techniques in the movie The Legend of 1900 are symbolic—for instance, the fictional utopian ship, the swaying eyeballs of the trumpet player, or even the made-up pianist and the jazz inventor who comes to challenge him... Behind these symbol...
(芷寧寫于2014年7月5日) 查理·卓別林說:“人生近看是【shì】悲劇,遠(yuǎn)看是喜劇?!睔w為喜劇類的影片《布達(dá)佩斯大飯店(The Grand Budapest Hotel)》,看似是一場(chǎng)光怪陸離的人間喜劇,實(shí)則內(nèi)質(zhì)充滿了點(diǎn)點(diǎn)的憂戚,當(dāng)然不可否認(rèn),這部影片的觀影過程是愉悅而順暢的,但始終有種揮...
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