The expression techniques in the movie The Legend of 1900 are symbolic—for instance, the fictional utopian ship, the swaying eyeballs of the trumpet player, or even the made-up pianist and the jazz inventor who comes to challenge him... Behind these symbol...
(芷寧寫于2014年7月5日) 查理·卓別林說:“人生近看是悲劇,遠看是喜劇?!睔w為喜劇類的影片《布達佩斯大飯店(The Grand Budapest Hotel)》,看似是一場光怪陸離的人間喜【xǐ】劇,實則內(nèi)質(zhì)充滿了點點的憂戚,當(dāng)然不可否認(rèn),這部影片的觀影過程是愉悅而順暢的,但始終有種揮...
在路上:
:-O一覺醒來:
烏鴉火堂:
孔喬:
地鐵老貓:
spider09:
劃船從不靠槳:
灰狼:
未住消: